This movie isn’t just about some dude going nuts with an axe. It’s a full-on roast of the 1980s yuppie culture. You’ve got Patrick Bateman, played by Christian Bale, living this double life as a slick Wall Street guy by day and a total psycho killer by night. It’s like the movie is saying, “Hey, you know that ultra-materialistic, superficial lifestyle? It’s kinda messed up.” It’s not just horror; it’s a dark, twisted comedy poking fun at how absurd that whole scene was.
What makes “American Psycho” a brain-tickler is how it gets you into the head of Bateman. This guy is all about appearances, right? Fancy suits, fancy dinners, but underneath, he’s completely unhinged. The film plays this game of “is he really doing all these crazy things or is it all in his head?” It messes with you because you start questioning what’s real and what’s not, which is pretty deep for a movie that also has a scene with a dude running around with a chainsaw.
The end of this flick is a real mind-bender. You’re left not knowing if Bateman actually did all those gruesome things or if he’s just lost it. It’s like the movie’s saying, “Does it even matter?” The whole thing could be a metaphor for how people can hide their true selves behind a mask of normalcy. Or maybe it’s about how society ignores the crazy stuff happening right under its nose. Either way, it’s deep because it doesn’t just hand you the answers on a silver platter.
So, “American Psycho” isn’t just about the blood and gore. It’s a deep dive into 80s excess, the human psyche, and the blurred lines between reality and fantasy. It’s like a horror movie with a philosophy degree.